on saleDavid Oscarson Golden Spike Fountain Pen - Ruby Red/Gold

Product Code DO-GSR-F

In Stock

out of stock

$5,900.00

MSRP $

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On May 10, 1869, four years after the Civil War, the world’s first transcontinental railroad was completed as the Central Pacific and Union Pacific railroads met at Promontory Summit, Utah.

The two engines, Union Pacific’s No. 119 and Central Pacific’s No. 60, known as Jupiter were drawn up face-to-face. Workers, dignitaries and press watched and cheered as Leland Stanford, president of the Central Pacific drove the Golden Spike into the rails, officially connecting 1,756 miles of track, uniting the Atlantic and Pacific oceans across the United States.

Meriwether Lewis and William Clark had previously (1804 – 1806) charted and documented the vast new region of the US acquired through the Louisiana Purchase. The Corps of Discovery prepared the first maps and reports describing the topography of the trails and passages from the Mississippi River to the Pacific Ocean. “Future generations” Jefferson predicted, “would fill up the canvas we begin”.

From 1835 onward, many Americans wrote and spoke about their belief that it was the “manifest destiny” of the United States to expand its territory over the whole of North America to extend and enhance the nation’s political, social and economic influence.

Development of the transcontinental railroad began in 1832, although it wasn’t until 1853 that Congress approved the funds to survey and plan the course. Construction officially started in 1866. Workers, many of whom were Chinese or Irish immigrants, put in long hours under harsh conditions. During the winter of 1867, Chinese workers for the Central Pacific line carried three train engines, forty railroad cars and all of their equipment – rails, spikes, hammers and food - over the snow-covered Sierra Mountains to lay fifty miles of track on the other side the following spring.

The transcontinental railroad contributed to the rapid western expansion of the nation. Before the track was competed, it would take travelers months to get from the East Coast to the West Coast, either by land or sea. With the transcontinental railroad, the trip could be made in a matter of days. Indeed the nation was changed, and united.

It’s not known how many people attended the ceremonial event in 1869; estimates range from as low as 500 to as many as 3,000. Parades and celebrations ensued as telegraph operators clicked off the news that the Great Pacific railroad was finally completed.

Today, the official Golden Spike used in the ceremony is displayed in the Cantor Arts Center at Stanford University, founded by Leland Stanford, who also served as a Republican governor and senator from California. The Golden Spike National Historic Site, which marks the historic uniting of the lines, lies 32 miles west of Brigham City, Utah.

The Golden Spike Collection stands as a tribute to the more than 4,000 workers who participated in the magnificent feat of connecting the Atlantic and Pacific oceans by rail.

The courses of the two engines, Jupiter (Central Pacific) from Sacramento, California and No. 119 (Union Pacific) from Omaha, Nebraska / Council Bluffs, Iowa are outlined along the cap and barrel of the pen, meeting at Promontory Summit, Utah.

Each of the seven states along the journey is marked in high relief and each is engraved with a unique guilloché pattern. The two engines are illustrated in a reverse-engraving underneath the enamel.

Central Pacific and Union Pacific are featured in high relief at the top and bottom of the pen and corresponding emblems from that era adorn the crown of the cap and bottom of the barrel.

The gripping section is engraved with start (Jan 8th 1863) and finish (May 10th 1869) dates. Between the dates are the following words that are engraved on the original Golden Spike: “May God continue the unity of our Country as this Railroad unites the two great Oceans of the world”.

The Golden Spike Collection is the thirtieth in the David Oscarson™ series of Limited Edition writing instruments and will be produced in two design variations; each limited to production of 150 pieces (including fountain pens and roller balls).

David Oscarson’s unique filling system accommodates a cartridge, converter or eyedropper fill; a series of seals and “O” rings prevents the ink from leaving the chamber at any point. Engineered in Heidelberg, Germany, the 18-karat gold nib is unsurpassed in quality and form.  Coupled with an ebonite feeder, each nib is plated with rhodium and tipped with iridium to ensure durability in fine, medium and broad sizes.

About Guilloche:

Hand-crafted from 18-karat gold and .925 Sterling Silver, each precious metal component passes through multiple stages of precision engraving, creating an intricate pattern known as guilloché; a painstaking process which brings life and light to the surface of precious metals.

About Hard Enamel:

Using a mortar and pestle, a composition of glass, water and metal oxides is ground for hours by hand.  When settled, the water is removed, leaving the fine paste that is the basis for hard enamel.  A quill is then used to apply each coat of the mixture to the surface of the metal, ensuring that the entire guilloché area is completely covered in enamel.  The components are then fired in a furnace at temperatures exceeding 1,000° F, fusing the enamel to the metal and forming a layer of glass.

After cooling, the pieces are manually ground with a diamond file, restoring their proper shape and surface.  This tedious process is repeated at length until the level of enamel reaches the depth required to cover the peaks and fill the valleys of each intricate guilloché pattern.  When the final stages of firing are completed, the pieces are polished and buffed, revealing the velvet finish of translucent hard enamel.

Production of translucent hard enamel demands the highest levels of patience, experience and skill.  A five-year apprenticeship is required to ensure that the highest levels of quality will be met in each individual Collection piece.

Please allow us up to several extra days for shipping of this pen. Please also note we are unable to accept a return of this pen for any reason once it has been used with ink. Please thoroughly inspect and dry test the pen before use.

Technical Specs

Condition
New
Brand
David Oscarson
Type
Fountain Pens
Color
Red
Demonstrator

Whether or not the barrel of the pen is translucent, allowing you to see the ink and filling mechanism inside.

No
Body Material
Hard Enamel over Metal
Cap Type

How the cap is opened/closed from the barrel of the pen. Some common options include Snap-Cap, Screw-Cap, Magnetic Cap, or Capless (no cap).

Screw-cap
Filling Mechanism

How the pen fills with ink. Click here to watch our video tutorial on common filling mechanisms.

Cartridge, Converter, Eyedropper
Grip Material
Metal
Nib Size
Fine, Medium, Broad
Nib Color
Two-Tone
Nib Material
18kt Gold
Postable

Whether or not the cap fits securely onto the back of the barrel when open.

No
Retractable

Whether or not the nib/tip can retract into the body of the pen (usually for click or twist-open style pens).

No
Trim
Gold Vermeil

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